Saturday, January 09, 2010

The Listener ~ by Timothy Lavin

From The Atlantic

Profile January/February 2010 Atlantic

For four hours every night, on holidays and weekends, George Noory is the voice in the darkness for millions of Americans. His show, Coast to Coast AM, has perfected a charged and conspiratorial worldview that now pervades American media. It’s quite possibly the oddest show ever to cross our airwaves. And it may change the radio business forever.

by Timothy Lavin

George Noory, host of Coast to Coast A.M.The Listener
(Image credit: Drew Reynolds)

Every night, when most of the world has drifted into unconsciousness, some 30 percent of the American population stays awake. They’re truckers, insomniacs, night-shift workers, or just people who like to stay up late. They tend to adhere to a different set of norms. For one thing, in an age of digital distraction, they connect with enthusiasm to a decidedly analog device: they listen to the radio for longer periods, with greater attention, and with greater loyalty than do audiences at any other time of the day. They tend to listen alone—alone in bed, alone on a highway, alone in the world—and find that a voice in the darkness offers a bond with a wider community. Perhaps you’re one of them. Or perhaps, if you’ve ever driven across country in the dark, or flipped on the radio because you couldn’t sleep, you know the feeling.

You might also have caught a glimpse into one of the odder realms of modern media. Lately, night people listen, in huge numbers, to a syndicated program called Coast to Coast AM with George Noory. It’s by far the most popular overnight show in the country. And it’s probably the most successful program of its kind ever aired. But just what kind of program it is, no one can quite say. Its topical breadth alone defies categorization: aliens, time travel, 9/11 conspiracies, suspicious murders, vampires, mediated telepathy, birds of unusual size. Shadow People seem to show up a lot. Every evening, Coast to Coast offers a running commentary on what keeps people awake, in fear or fascination, through what Keats called the “unslumbrous night.”

And on such vague apprehensions, George Noory—a man of long radio experience, indeterminate politics, and ominous generality—is likely the world’s foremost authority. His show is more than a curiosity: it has propelled overnight radio from commercial obscurity into radiant profitability, and has helped set a tone that, both thematically and rhetorically, now pervades American media. In the process, it has become perhaps the most complete chronicle of our strange national anxieties ever agglomerated. And these are very anxious times.

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